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Ten fast fingers
Ten fast fingers












ten fast fingers

**Don't know your skill level, but if you have the score of Paganini's Moto Perpetuo, try the first 8 measures at a very moderate tempo - e.g., 88-92. If you keep getting things wrong at a given speed, you're going to reinforce your flaws. Put aside the material and come back to it later.

ten fast fingers ten fast fingers

Then try once again at your most recent speed.īut if you again have errors at this speed, stop. Isolate the trouble spots and work them out.

ten fast fingers

If you have errors, don't increase the speed. Keep doing this in 5 bpm increments till you begin to have trouble. Set the metronome at a pace where you can play the material error-free. Use easier material** when you drive to increase speed. One of my teachers said, "If it's even, it will actually sound faster." My experience bears this out. Work first and foremost for accuracy and evenness, not speed. Just a few things I learned from my teachers: This, let us hope, will give you at least some help for the road ahead. You'll probably get a collection of responses here, based on personal experience. Simon posted while I was writing this so there's some overlap.

  • Hard to know without being right there on the scene to observe.
  • playing fast is easy, its a no brainer if you know how to get there. When playing slow always move fast with the left hand fingers, fast and totally in time. try in tempo again and go back to practice like i wrote when you have a problem. if it sounds messy, play little sections, a bar or less. play with dotted rythm (especially for fast legato) play fast! play over tempo. You must learn the right movements from the start. Use a metronom: start slow go fast in little steps, remember to move as if playing fast always. pracitce with opposite bowing as written. evenness of up and down bow.įor practicing: make variations: play in differnet tempo with different accents, for exampöe accent every down bow. that means: very little bow, if detache, very efficient string crossings, always a good on the string feeling with the bow. Practice slowly but move as if you were plaing fast.
  • many suggestions, i will jsut point out a few fst, because I have to sleep soon:.













  • Ten fast fingers